Rebecca appeared as The Baker’s Wife in Opera NUOVA’s production of ‘Into the Woods’ in June 2018.
© Nanc Price Photography
Rebecca appeared as The Baker’s Wife in Opera NUOVA’s production of ‘Into the Woods’ in June 2018.
© Nanc Price Photography
Rebecca appeared as The Baker’s Wife in Opera NUOVA’s production of ‘Into the Woods’ in June 2018.
© Nanc Price Photography
Rebecca appeared as The Baker’s Wife in Opera NUOVA’s production of ‘Into the Woods’ in June 2018.
© Nanc Price Photography
Rebecca sang Elmire in Kirke Mechem’s ‘Tartuffe’ with Opera NUOVA in June 2018.
© Nanc Price Photography
Rebecca sang Elmire in Kirke Mechem’s ‘Tartuffe’ with Opera NUOVA in June 2018.
© Nanc Price Photography
Rebecca sang Elmire in Kirke Mechem’s ‘Tartuffe’ with Opera NUOVA in June 2018.
© Nanc Price Photography
Rebecca sang the role of Frau Viehmann (The Witch/The Wolf) in Canadian composer Dean Burry’s opera ‘The Brothers Grimm’ with Opera NUOVA’s school touring company in March 2018.
© Nanc Price Photography
Rebecca sang the role of Frau Viehmann (The Witch/The Wolf) in Canadian composer Dean Burry’s opera ‘The Brothers Grimm’ with Opera NUOVA’s school touring company in March 2018.
© Nanc Price Photography
Rebecca sang the role of Frau Viehmann (The Witch/The Wolf) in Canadian composer Dean Burry’s opera ‘The Brothers Grimm’ with Opera NUOVA’s school touring company in March 2018.
© Nanc Price Photography
Rebecca sang the role of Frau Viehmann (The Witch/The Wolf) in Canadian composer Dean Burry’s opera ‘The Brothers Grimm’ with Opera NUOVA’s school touring company in March 2018.
© Nanc Price Photography
Rebecca sang the role of Frau Viehmann (The Witch/The Wolf) in Canadian composer Dean Burry’s opera ‘The Brothers Grimm’ with Opera NUOVA’s school touring company in March 2018.
© Nanc Price Photography
Rebecca sang the role of Frau Viehmann (The Witch/The Wolf) in Canadian composer Dean Burry’s opera ‘The Brothers Grimm’ with Opera NUOVA’s school touring company in March 2018.
© Nanc Price Photography
Toronto Concert Orchestra's touring production presented a multi-disciplinary program with First Nations and Métis themes (Indigenous cultures of Canada). Rebecca presented a new song cycle written by Métis composer Ian Cusson with texts by Métis poet Marilyn Dumont. The piece was directed by Michael Mori and conducted by Kerry Stratton.
© Leemarc Lao & © Fran Chudnoff
Toronto Concert Orchestra's touring production presented a multi-disciplinary program with First Nations and Métis themes (Indigenous cultures of Canada). Rebecca presented a new song cycle written by Métis composer Ian Cusson with texts by Métis poet Marilyn Dumont. The piece was directed by Michael Mori and conducted by Kerry Stratton.
© Leemarc Lao & © Fran Chudnoff
Toronto Concert Orchestra's touring production presented a multi-disciplinary program with First Nations and Métis themes (Indigenous cultures of Canada). Rebecca presented a new song cycle written by Métis composer Ian Cusson with texts by Métis poet Marilyn Dumont. The piece was directed by Michael Mori and conducted by Kerry Stratton.
© Leemarc Lao & © Fran Chudnoff
Toronto Concert Orchestra's touring production presented a multi-disciplinary program with First Nations and Métis themes (Indigenous cultures of Canada). Rebecca presented a new song cycle written by Métis composer Ian Cusson with texts by Métis poet Marilyn Dumont. The piece was directed by Michael Mori and conducted by Kerry Stratton.
© Leemarc Lao & © Fran Chudnoff
Toronto Concert Orchestra's touring production presented a multi-disciplinary program with First Nations and Métis themes (Indigenous cultures of Canada). Rebecca presented a new song cycle written by Métis composer Ian Cusson with texts by Métis poet Marilyn Dumont. The piece was directed by Michael Mori and conducted by Kerry Stratton.
© Leemarc Lao & © Fran Chudnoff
Rebecca joins tick tock again to present their collaborative piece "A Certain Sense of Order", this time for the Tête à Tête Opera Festival. The performance took place August 10th and 11th at RADA Studios in London and was part of Tête à Tête's 10th anniversary celebration.
"A Certain Sense of Order" explores the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by: Laurel Turton
Courtesy of: Tête à Tête
Rebecca joins tick tock again to present their collaborative piece "A Certain Sense of Order", this time for the Tête à Tête Opera Festival. The performance took place August 10th and 11th at RADA Studios in London and was part of Tête à Tête's 10th anniversary celebration.
"A Certain Sense of Order" explores the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by: Laurel Turton
Courtesy of: Tête à Tête
Rebecca joins tick tock again to present their collaborative piece "A Certain Sense of Order", this time for the Tête à Tête Opera Festival. The performance took place August 10th and 11th at RADA Studios in London and was part of Tête à Tête's 10th anniversary celebration.
"A Certain Sense of Order" explores the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by: Laurel Turton
Courtesy of: Tête à Tête
Rebecca joins tick tock again to present their collaborative piece "A Certain Sense of Order", this time for the Tête à Tête Opera Festival. The performance took place August 10th and 11th at RADA Studios in London and was part of Tête à Tête's 10th anniversary celebration.
"A Certain Sense of Order" explores the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by: Laurel Turton
Courtesy of: Tête à Tête
Rebecca joins tick tock again to present their collaborative piece "A Certain Sense of Order", this time for the Tête à Tête Opera Festival. The performance took place August 10th and 11th at RADA Studios in London and was part of Tête à Tête's 10th anniversary celebration.
"A Certain Sense of Order" explores the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by: Laurel Turton
Courtesy of: Tête à Tête
The Royal Academy of Music Composition Department presents The Art of Chaos - PROTEST at Shoreditch Town Hall. The evening featured all new pieces by postgraduate composers from the Royal Academy of Music, along with works by the legendary Roberta Flack, Robert Wyatt, PJ Harvey and Bob Marley, all in the name of protest!
The Royal Academy of Music Composition Department presents The Art of Chaos - PROTEST at Shoreditch Town Hall. The evening featured all new pieces by postgraduate composers from the Royal Academy of Music, along with works by the legendary Roberta Flack, Robert Wyatt, PJ Harvey and Bob Marley, all in the name of protest!
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Bloomsbury Opera presents "Tahiti!" a double bill performance of Alannah-Marie Halay's new contemporary piece "Pacific Pleasures" and Leonard Bernstein's "Trouble in Tahiti". Premiered and performed March 2017. Directed by Jorge Balça and Conducted by Karin Hendrickson.
Photo by Alex Fine Photography
Tick Tock presents a new contemporary opera piece entitled "A Certain Sense of Order" for Second Movement's new music sketch night "Rough for Opera 15" at the Cockpit Theatre. This piece explored the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by Claire Shovelton
Tick Tock presents a new contemporary opera piece entitled "A Certain Sense of Order" for Second Movement's new music sketch night "Rough for Opera 15" at the Cockpit Theatre. This piece explored the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by Claire Shovelton
Tick Tock presents a new contemporary opera piece entitled "A Certain Sense of Order" for Second Movement's new music sketch night "Rough for Opera 15" at the Cockpit Theatre. This piece explored the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by Claire Shovelton
Tick Tock presents a new contemporary opera piece entitled "A Certain Sense of Order" for Second Movement's new music sketch night "Rough for Opera 15" at the Cockpit Theatre. This piece explored the work of American poet Anne Sexton through voice, movement, recorded and live sounds.
Photo by Claire Shovelton
Credit: Stefania Barichello
